Provence

Our 2026 Provence report

Provence is more successful than ever.

A young drinker, not quite a wine lover yet, once told us at a family party "I don't know much about wine, only the two most famous wine regions: Bordeaux and Provence".

Provence has rocketed into public consciousness, from a rural Mediterranean backwater drifting towards international varieties to a fashionable and sexy wine region that people will pay a premium for. Behind this success lies a historic and complex tapestry of terroirs and wines that we feel deserves to be spoken about in depth.

At a meeting of producers in the heart of Provence, an old vigneron commented to us, as the flashy cars drew up the chateau driveway, "the young generation don't remember how hard things were here once". This is not a region with decades or centuries of viticultural wealth. Everything here is new, and despite claims that Provence is France's oldest viticultural region (thanks to the Romans), its wine scene is in the midst of a radical reinvention. Glitzy international brands with head offices in Miami, London or Paris jostle for attention (and grapes) with 4th (and sometimes more) generation farmers.

For the full story, of course we recommend that you read our book, The Wines of Provence, but this report is a good place to start for a snapshot of the wines of the region.

What even is Provence?

In The Wines of Provence, we devote a lot of attention to this question. There is no one single definition of Provence that pleases everyone simultaneously. There is no "Provence AOP" or generic regional appellation to which every wine is eligible.

For some, Provence is the setting of Peter Mayle's A year in Provence, a fictionalised memoir that propelled the region into the public consciousness half a century ago: sleepy rural France, drenched in sunshine and joie-de-vivre. Wine was at the heart of this idyllic vision.

In The Wines of Provence, we ultimately decided to limit our definition of Provence to the historical boundaries of 1789, when the pre-revolution province of Provence represented the last time the area was grouped together in one single administrative unit, without including other adjacent areas whose formal connection to Provence is slightly more tenuous. Bellet, for instance (not included in this report), is included in the book for convenience, but is unequivocally outside of Provence.

As we say in the book, however, this 1789 definition excludes many areas that are today known as Provence, where locals spoke Provencal, and where the lifestyle, architecture and landscape are almost indistinguishable. What they all lack, however, compared to our definition of the region, is a truly Provencal first-and-foremost viticultural identity. Chateauneuf, albeit to many outsiders Provencal, ties its identity primarily to the Rhone valley, having more in common (as we discuss here) with the other side of the river, namely Tavel and Lirac and the Cotes du Rhone gardoises - much as Tavel is better linked to Chateauneuf than to the Languedoc, despite modern administrative boundaries suggesting otherwise.

Provence, therefore, for us, is the region of south-eastern France between the Rhône in the west and the Var in the east, and between the sea in the south and the Monts de Vaucluse in the north.

Viticultural Provence is therefore the following principal appellations:

  • Alpes de Haute Provence (IGP)
  • Alpilles (IGP)
  • Bandol (AOP)
  • Cassis (AOP)
  • Coteaux du Verdon (IGP, technically a sub-IGP of IGP Var, but worth discussing in its own right)
  • Les Baux-de-Provence (AOP)
  • Coteaux d'Aix-en-Provence (AOP)
  • Coteaux Varois en Provence (AOP)
  • Côtes de Provence (AOP, including its sub-appellations)
    • Côtes de Provence Fréjus
    • Côtes de Provence La Londe
    • Côtes de Provence Notre-Dame-des-Anges
    • Côtes de Provence Pierrefeu
    • Côtes de Provence Sainte-Victoire
  • Luberon (AOP)
  • Méditerranée (IGP, only partially)
  • Mont Caume (IGP)
  • Palette (AOP)
  • Pierrevert (AOP)
  • Var (IGP), including its sub-IGPs
  • Vaucluse (IGP, only partially)
  • Ventoux (AOP, only partially)

Provence's unique viticultural identity, that which sets it apart from the neighbouring wine regions of the Languedoc, the Rhône, Liguria or Piedmont is a combination of unique attributes, in all three colours.

  • The dominance of rosé, and, in practice, pale, "Provence-style" wines.
  • Ugni Blanc, Rolle, and to a lesser extent Clairette and Sauvignon Blanc dominating the whites.
  • Mourvèdre-dominant red blends on the coast, and Syrah-Cabernet-dominant blends inland.

Bellet, where Folle Noire and Braquet dominate, is not Provence. The Luberon unequivocally is. The Calavon valley, including a good chunk of Ventoux, also. Provencal icons around Les-Baux-de-Provence are physically closer to Châteauneuf than Villars-sur-Var is to the rest of Cotes de Provence. We haven't included in the report tasting notes listed below, as it is too different and has too little in common to provide a meaningful comparison. We do however include a selection of tasting notes of wines from estates north of the Monts de Vaucluse, usually with a comment as to their location; we believe that the contrast justifies their inclusion, as these are wines that stand out noticeably, and provide real-world justification of the limit between viticultural Provence and the Rhône valley.

Vintages

Provence, overall, however, does not have the variability of Bordeaux: most summers are hot and dry, and swings in climate or vintage style are relatively minimal. A consistent trend towards increasingly hot and dry growing seasons provides a backdrop to occasional blips of 'cooler than average' (invariably still hotter than the hottest years of the 1990s or earlier), drought, or (more impactfully) spring frosts.

A consequence of this march towards climate change-induced global warming is a steady hastening of the harvest. Once typical in late October for late-ripening Mourvèdre, rosés and whites, formerly harvested in September, are increasingly harvested in mid or even early August. This is an invariably hot and dry time of year, during which time rain is uncommon and rarely a factor in the quantity or quality of the harvest: what matters most is rainfall in spring, and temperatures throughout the growing season. Vintages described as "slightly wetter" are still, typically, utterly dry for July and August. Blocages de maturité, or vine shutdown under hydric stress, common in dry years, usually encourages producers to harvest sooner rather than later.

It is essential, however, to note that, in our opinion, some of this shift towards early harvesting is not due to climate change, but to a combination of evolving tastes towards lighter styles of wine, and, perhaps less encouragingly, to winemaking that prioritises acidity and 'freshness' over fruit, concentration and complexity. Variation in style and quality of the wines is less attributable to the vagaries of the weather, and rather more to winemaking choices.

Perceived market pressure for low-alcohol wines, and paler rosés, pushes winemakers to harvest ever earlier, to mixed results. A statistical analysis of our recent scores indicates that higher-alcohol rosés (14%+) consistently secure higher ratings with very low variance, establishing a highly predictable baseline for quality. In contrast, while lower-alcohol styles (12.0%-12.5%) are absolutely capable of achieving top-tier marks, their performance is statistically much more volatile and yields a lower overall average.

(if you don't like statistical analysis, all this means that higher alcohol Provence rosés are more consistent and score higher; while lower alcohol Provence rosés are less consistently good, and more likely to be scored lower by us - but not always; beware recent vintage Provence rosés under 13% abv but don't automatically discount them either)

2025

Not a bad vintage by any means. Not too hot, not particularly dry. There was no widespread frost or hail, and although marked by sporadic heatwaves, these were not excessive nor too long-lasting. Winemaking decisions and specific vineyard terroirs are overwhelmingly more important in determining the style and quality of 2025's wines than weather patterns.

2025 is therefore the rosé bargain hunter's lucky day: whether due to vintage variation or simply improvements in winemaking, we've found the quality of entry-level rosé significantly better than in previous vintages. That is not to say that every wine is phenomenal, but certainly that there is a lot more bang for a bit less buck than usual this year.

On the other hand, whites are slightly more underwhelming: a wave of new whites, often from young vines planted to capitalise on buoyant sales, have led us to find many whites from 2025 to be a little more dilute, green, and insipid than in previous vintages.

2024

2024 stood out to us as a particularly dilute and uninspiring vintage for many rosés, although hailed by some producers as ideal for delicate fresh wines. A wet winter replenished water supplies, but yet again a warm early spring pushed budbreak early, followed by some later spring frosts - those later pruning dates are vital to avoid damage.

2023

Another very dry autumn and winter meant that already by March there were drought restrictions in place. In May torrential rain and localised hail storms caused erosion and damage. The rain continued into June - great for the water table, less good for vine diseases and mildew. The rest of the summer was perfect - hot and dry … until the end of August when heavy rain came just as the harvest was starting. For those harvesting a little later, rot and grape damage from hail were potential problems. Rain continued into September. On a plus side - those who avoided damage, had more juicy fruit and restored some volume to a low yielding year. Better for reds and whites.

2022

The autumn of 2021 and the winter of 2021-22 were warm and dry - wonderful for winter dining al fresco but not brilliant for the vines. Late pruning once again proved to be the solution as sharp frosts at the end of March hit early budding vines. This was followed by a warm spring, but the accumulated impact of very low rainfall started to have an impact, slowing down maturation and resulting in smaller yields. A series of short heatwaves also impacted on the fruit development and in some places shrivelled the grapes and vineyards on cooler sites certainly are worth looking for. A small burst of rain in August helped, but overall this vintage was small and harvesting was earlier than usual in order to retain freshness. The best wines managed to balance acidity and ripeness. The worst were too acidic with no fruit or too big and fruity and no acidity.

2021

Following the wet autumn of 2020 the winter was cold with some snow and moderate to low rainfall, which maintained water levels but did not fully replenish, March was hotter than usual, speeding up budburst, especially for Grenache and Syrah. In what has become an increasingly common occurrence, the vines were then hit by the severe frosts in April - only coastal regions avoid this devastation. May continued cool and wet before returning to a hot dry summer. A massive wildfire on the Massif des Maures affected the southern edges of the Central Valley and eastern edge of Pierrefeu - resulting at best in smoke taint, or at worst destroyed vineyards. It was followed by a short, sharp, burst of heavy hail in central Provence which caused further damage. For those not hit by frost, fire and hail, quality tended to be good.

2020

The timing for this vintage was all over the place, starting well with a wet autumn followed by a mild dry winter which speeded up budburst. March frost in cooler zones hit Grenache, spring warmth speeded up ripening, while a hot, dry July caused water stress which slowed vegetative growth. Harvest began early in mid-August and continued over a particularly long period, with the last grapes, after some rain and Mistral winds in September, being harvested in mid-October. Dealing with this erratic weather and covid made this a tough vintage. In our Buyers Guide of that year, we were disappointed with many of the rosés being dilute and acidic, often resulting in neutral fruit profiles. Significantly, the 2020’s tasted for this report revealed a number of stellar reds and a few full-bodied white wines.

2019

2019 is a particularly interesting vintage, as back in 2020, it stood out for its quality. For many years, we discussed it as Provence's most recent 'great vintage'. In hindsight, in 2026, this isn't quite so true: although fabulous for the rosés, and especially riper, more full-bodied, oak-aged wines, recent tastings of reds have shown that the heat and power that made the rosés so sublime was a step too far for many of the reds, which are a little excessively gutsy and tend to jamminess, especially in warmer sub-regions or, paradoxically, in more premium wines.

Our verdict: good rosés from 2019 are still among the best, but tread carefully with the reds, prioritising northern or higher altitude vineyards over those on the coast.

Rosé?

Does Provence equal rosé? This is a very real question that producers, consumers, shippers and the wider industry has asked it itself.

A few things about Provence's rosé scene are very clear. First and foremost, the world expects rosé of Provence. These wines command high prices and have a seat at the table of the world's foremost wines. Secondly, undeniably, the wines are often excellent: decades of investment, technological improvement, and prioritising workflows to keep customers happy have ensured unparalleled widespread mastery of what has become known around the world as 'Provence-style'. For a fuller picture, don't forget to read our previous book, Rosés of Southern France.

Thirdly, rosé is rarely Provence's best wine, a crown proudly borne by the region's reds, the historic and most premium wines of the region. Rosé, despite Provence's image, is a relatively recent phenomenon here, and is still regarded by locals with somewhat more distrust here than, for example, in Rioja. Rosé's dominance has come, however, at the expense of awareness of the reds and whites.

The region is home to many fabulous rosés - but, ultimately, the quality of these depends on the ambition of the producer rather than any particular impact of terroir.

The very best Provence rosés, in the spirit of Garrus and Clos Cibonne, are proud of their complexity. They are genuinely fine wines that rival the best reds and whites of the region, and are standard-bearers for what good rosé can be. Entry-level Provence rosé is no longer the unexciting bag-in-box supermarket wine of previous decades, but, if anything, the breadth and diversity of the top of the rosé pyramid here seems to have declined ever so slightly over the last few vintages. A mix of commercial headwinds, misaligned short-term goals, and philosophical disagreements about what a premium rosé should be have led to a dip in the diversity and quality of the segment.

Oak remains controversial. "Provence-style" is assumed to be pale and dry, best-young, fruity but mineral, fresh and elegant. Prolonged oak ageing is antithetical to this image, and for many Provence producers, heretical for rosé. For others, and ourselves included, imaginative winemaking and ageing in alternative vessels (oak, amphora, concrete eggs) is essential for the region to unlock its true potential and deliver rosés worthy of its reputation.

For many producers, however, that is a role best played by the whites, with rosé, even in Provence, relegated to the position of entry-level summery wine.

Vermentino, Rolle and the rise of Provence white

Provence makes three kinds of white wine.

  1. Reductive Rolle, an entry-level wine modelled on the rosés.
  2. Traditional white, often with autochthonous varieties and invisible oak.
  3. Waxy, concentrated, oaked white, often made with a sideways glance to Burgundy.

Ask any producer in Provence today what wine is selling best, and they will invariably answer that it is their white.

Along with the global trend towards whites, and crisper styles more generally, white wine in Provence has benefited immensely from the technical improvements and know-how previously learned and developed for the rosés.

A direct consequence of this has been a blurring of the lines between Provence's rosés and its whites. As rosé has become paler, and in some cases even sold as blanc de noir wines, whites have increasingly been produced to resemble the rosés too. Light colour, high acidity, crisp thiols, and marketing squarely aimed at beach cafés and poolside restaurants have brought the two styles closer together than we think is healthy. The whites of many producers are not complex wines, they are simply entry-level rosés that happen to be made exclusively from white grapes and with even less colour than usual.

This style of wine is not exclusively down to winemaking: over the last two decades, Provence's traditional white varieties (Clairette, Ugni Blanc, Sémillon, Grenache Blanc, localised Sauvignon Blanc  and the occasional Muscat or Bourboulenc) have almost wholly yielded to Rolle, the local name for Vermentino, an import from Corsica, Tuscany, and neighbouring Liguria, via Bellet.

Although capable of making stellar fine wines when harvested slightly later, Rolle is prized for its high yields and ability to make high-acidity, light crisp white wines when harvested earlier.

The slightly more realistic - albeit cynical - view is that doubled sales of an almost negligible volume remain a negligible volume. At under 3% of Côtes de Provence, white wine is still a footnote. Cassis, Provence's most famous and qualitative white wine appellation, is less than 200ha, and therefore well under 1% of the region's total production.

By our estimates, despite growing sales of white wine, more than half of the region's white grapes grown are still destined for rosé blends: sales of white are still significantly less than the region could theoretically produce by allocating these grapes away from the rosé and towards the whites. Even among estates who readily believe that white is the future, it is rare to find a producer whose new plantings are more than 20% white grapes - a figure not even high enough to produce enough white for the rosé blends, let alone additional for the whites as well. Our conclusion is therefore that Provence whites, although increasingly popular, are only timidly progressing, and even then, from a very small starting point.

The growing category of blanc de noir seems to us an absolute travesty in Provence. It intentionally shrugs off the 'Provence rosé' moniker, its greatest selling feature, for the sake of a shortcut to being 'a real wine that rosé can't be'. The sacrifices endured to produce and sell these wines are never worth it. To achieve such a pale colour, the wines are typically harvested underripe, carbon-filtered, and paleness tends to be prioritised over all else.

Reds: the real heart of the region

Contrary to popular belief, Provence, at heart, is a country of bold reds. Away from the exclusively GSM Southern Rhone or the old Carignans and Terrets of the Languedoc, Provence's reds are rather more distinctive, in the southern French landscape, than the rosés.

Under the influence of Vignelaure and then Trévallon, Cabernet was increasingly planted, typically blended with Syrah. This blend, often 50-50, created, in parallel to the Super Tuscans across the Tyrrhenian sea, a 'Provence-style red' that predated 'Provence-style rosé' by several decades.

The sustainability of the style is, however, increasingly questioned. Cabernet is increasingly rarely planted, and, especially on the coast where it suffers in the scorching heat of the summer, is over-grafted with whites or other, trendier varieties. Even Trévallon is increasingly looking to autochthonous varieties (Cinsault especially) to continue producing elegant wines.

There are today, three main styles of Provence reds.

  1. Oaked Cabernet Sauvignon and Syrah blend: "Provence-style".
  2. Lightly oaked Mourvèdre-dominant blend, very approximately equivalent to "Bandol-style".
  3. Classic Grenache–Syrah–Mourvèdre, a more Rhone style.

There is a growing but increasingly encouraging trend of producers taking a leaf out of the rosé book, and understanding that consumers are looking to the region for wines that are fresh, delicate, elegant, and summer-friendly - even for the reds.

Grenache, Cinsault and Carignan are all seeing a minor revival in red wines. Producers are also experimenting with infusion to make the lightest reds possible.

Many of these reds are excellent. Many of them are also exorbitantly expensive. Bandol, while not cheap, is remarkably good value for money, with almost every producer making a serious, complex, and age-worthy red - many of which are increasingly made to be equally enjoyable when drunk young. €20 (maybe £25 in the UK) will buy the classic Bandol red from most producers, and will rarely disappoint.

Maisons, brands, and tiny vignerons

In a sea of ambitiously priced wines, many of them created with the export market in mind, value for money can still be had from tiny vignerons, many of whom do not export at all, and among whom trade prices can be as low as €4 or 5 a bottle still.

The size of the property often dictates the style of wine. Small estates cater to locals, and often make wines adapted to summer tourists. Estates owned by large companies from outside the region, and therefore distributed more widely, are better known internationally, and by extension set the standards and benchmarks for the style in the main export markets. Whispering Angel, the global trendsetter, is almost unknown in Provence. The image the region has of itself is not the one associated with it by outsiders, whose interactions with it are mostly through the lens of rosé, big producers, and international styles.

The large, export-driven producers (d’Esclans, Minuty, Sainte Marguerite, Ott*, Figuière, Miraval) and the cooperatives all focus on rosé, which skews the statistics. Although widely claimed to be 90% or more of the region, the reality is that the vast majority of this rosé is thoroughly inexpensive and fairly uninteresting.

Small producers often wear their 'high' proportion of red production as a badge of pride - proof that they have held out against commercial pressure and still make 'real' wine. In practice, excluding the big rosé houses, cooperatives, and export-driven small estates, red and white production is typically between 30% and 50%.

Paradoxically, these same estates will also claim to be ardent defenders of terroir-driven rosé - although in practice, this is not always the case. The big rosé houses have made leaps and bounds in recent years and are often the true drivers of rosé quality. Big rosé producers should not be automatically dismissed, and producers of great red and white wine often make underwhelming rosé.

Provence white wine, and to a lesser extent Provence red wine, is one of the rare areas of disagreement between the two of us, at least concerning commercial relevance and future position on the market.

On reds, Elizabeth believes that Provence has both the terroir and the varieties to compete on the international market. The historic precedent is there - Trévallon and Vignelaure were making world-class reds decades before Whispering Angel existed. The varieties suit the climate, the soils reward serious winemaking, and at current price points, a serious Provence red represents genuine value against equivalents from the Rhone or Tuscany. Consumers open to discovery will find them. Ben is more cautious. Outside of Bandol, which sells on its own appellation reputation, and a handful of cult estates with established followings, Provence red struggles to find a clear identity in the minds of importers and buyers. In a world of abundant serious reds, the story is hard to tell quickly, and in the on-trade especially, Provence on a label means rosé. That perception will take a generation to shift.

On whites, we are closer in view than our previous reports might have suggested. Neither of us sees a large-scale commercial future for Provence white at the regional level - the volumes are too small, the Rolle monoculture too dominant, and the gravitational pull of rosé too strong for white to ever become more than a footnote in the region's export story. Where we differ is in the exceptions. Elizabeth is a particularly strong proponent of the Sauvignon Blanc-heavy blends of the Trévaresse, where north-facing vineyards lining the Durance valley produce consistently exceptional whites from Rolle and Sauvignon Blanc. She also points to Cassis, where Clairette and Marsanne produce whites of genuine distinction and pedigree that simply need more people to know they exist. Ben acknowledges the quality but remains sceptical that the communication challenge is worth overcoming, when rosé is so much simpler to sell in Provence, and can include white grapes anyway. In a world awash with great whites but desperate for quality rosé, where does Provence do best?

Ethics, sustainability, and natural wine

There is also a handful of natural wine producers, at odds with the clean, modern image of Provence wine. Rosé is often described as a technical wine, with some producers insisting that it is impossible to make rosé using spontaneous fermentation - ‘the pH is wrong’ and that it is hard to guarantee a ‘Provence style’ when using natural winemaking methodology. The results prove these to be false theories with a number of classic wines using spontaneous fermentation. We do, however, appreciate the artistry behind many of the more natural wines in all colours, including orange wine. They may not always achieve stellar scores, but they do provide diversity within the perimeters of local varieties and terroir.

Many producers still use bespoke, heavy, clear glass bottles. For a region keen to promote the high percentage of organic and sustainable viticulture, we find this particularly hard to justify. Dark glass, significantly better for the planet, is also unquestionably better for the wine within and Galoupet has clearly shown that rosé in a dark glass bottle has not hindered sales. Although an argument could be made that rosé sales depend on a visible colour and therefore clear glass, most Provence white (excluding the ultra high-end) is also in clear glass, suggesting that the true reason is brand and optics rather than immediate market pressure.

Tasting, and how we built this report

To mark the publication of our book, The Wines of Provence, we have held one of the most extensive tastings of Provence wines in all colours, styles and denominations, to create an overview of the current Provence scene. Over the last few months, we tasted over 500 wines, chosen to illustrate the region and its rich landscapes of different styles. Sometimes, this was only a single wine per estate, sometimes several, and, in some cases, a range of vintages.

We are presenting here not simply our favourites, by colour, by region, and by style, but also those that we feel offer exceptional value-for-money, a good story, or potential for ageing. We tasted blind, un-influenced by price or preconceptions, only adapting our notes afterwards to incorporate comments on value-for-money or typicity.

In some cases, we are in complete agreement about a wine and we give one note and score. At other times we have disagreed (shock horror) and we have explained why a simple assessment isn't enough to describe a wine: these are usually wines that excel for their style, but will not please universally.

In an effort to fight against score inflation, we have opted from this report onwards to eschew scores in favour of a clean-to-read opinion,  simplifying our results by dividing the scores into five published categories.

  • Exceptional
  • Outstanding
  • Highly recommended
  • Recommended
  • Recommended Summer Rosé
Recommendation levelDescriptionIndicative equivalent score
ExceptionalThese are the once-in-a-lifetime wines, the ones that Robert Parker might have awarded 100 points to.We wouldn't change anything about them, and will fight to be the one that gets to finish the bottle.They aren't just telling a story that you might have heard before: they're writing their own.94+
OutstandingThese are the wines that you gravitate towards at a party, or which you consider bringing a bottle to a good friend who really loves wine.We start to look for more than just great wine in the glass: these are wines that tell a story, that are liquid poetry, and genuinely transport you with every sip.92-93
Highly recommendedExtremely well-made wines. These are the wines that even after a long day tasting we wouldn't say no to if a glass were offered. These are the bottles you gift to a slightly snobby wine friend that you need to impress.These wines are not just flawless, we're looking for complexity, depth, multi-dimensionality, a little bit of imagination.90-91
RecommendedWell-made wines that we do not hesitate to recommend. They are clean, polished, offer great typicity.88-89
Recommended Summer RoséWines in this category are made for a specific purpose: to be thoroughly enjoyable and uncomplicatedly refreshing in the heat of summer.This includes rosés that are flawlessly made, well-balanced, crisp, utterly drinkable, and perfect for youthful drinking - but don't offer complexity, depth or age-worthiness. If you're looking for a picnic wine for the beach, or a poolside quaffer that might not stand up to the scrutiny of a formal tasting, we recommend these wines.87-88

Where does Provence go next?

Provence finds itself at a crossroads. Commercial success has arrived faster than the world's understanding of what the region truly is - and therein lies both the opportunity and the risk. As the rest of the wine world grapples with an uncertain market and fears of declining consumption, Provence remains insulated by something few regions possess: the charm of a genuinely convivial wine. Rosé is the wine par excellence to be drunk socially, and this has cushioned the region from the grubbing up of vineyards seen elsewhere. Wine tourism, and the enduring allure of Provence as a place, add further ballast. The allure of a year in Provence is as compelling now as it was in the 1980s - but it now comes with a more sophisticated wine scene and a growing number of smaller, hidden treasures alongside the grandes maisons.

The wines in this report confirm what our book set out to argue: that if you came here looking only for pale pink, you are missing most of it. The reds age. The whites surprise. The best rosés go beyond colour and set a global standard. The diversity - of terroir, of variety, of ambition - is real, and it is growing. Not tied to the rigid hierarchies of Bordeaux or the certainties of Burgundy, Provence possesses something rarer: the agility to evolve.

The question is no longer whether Provence can make great wine in all three colours. The evidence is in the glass. The question is whether the region has the confidence to say so.

Our selection of what to look for in Provence in 2026

All of our tasting notes from Provence are available here, and we will be publishing deep dives on specific topics over the next few weeks, exploring our picks of crisp whites and solar Mourvèdre reds specifically.

These wines are presented by 'recommendation', in no particular order within each group.

About us

We’re mother and son duo Elizabeth Gabay MW and Ben Bernheim. Between us, we’ve been involved in the wines of southern France for over 30 years. Elizabeth started working with the wines of Provence back in 1986, and for the past 20 years has lived on the eastern edge of south-east France. We’ve worked on three books on rosé: Rosé Understanding the Pink Wine Revolution (2018), Elizabeth Gabay’s Buyers Guide to the Rosés of Southern France (2021 e-guide) and, most recently Rosés of Southern France (2022).

Please do not reproduce our tasting notes or scores without getting in touch with us first.